NORTH HOLLYWOOD, CA – The mainstage performance of Charles: A Bio-Musical on the Life & Songs of Legendary Singer Charles Aznavour came to life at the notable El Portal Theatre on Saturday, November 9, transforming the storied space into a nostalgic ambiance to highlight one of the most industrious and memorable singers in the world. 

Created, written and directed by Taleen Babayan, the performance featured singer Maurice Soudjian, pianist Bernard C. Bayer, who portrayed a younger Aznavour, and Mariette Soudjian, who guest starred as Edith Piaf. Musicians Harout Soghomonian accompanied on guitar and accordion and Levon Ghanimian on bass.  

The audience was intrigued by both the narrative story that unveiled little known details about the singer’s life, in addition to the live singing and instrumentation. 

“This brilliant show provided great historical and cultural insight into an exciting era of French music,” said Mariette Tachdjian. “It’s a must-see as we discover and rediscover the great legend through stories and songs, alongside the spirit of Aznavour that was alive and present with us.”  

The bio-musical debuted last October at Hollywood’s The Hotel Cafe in a cabaret-style setting that brought to the forefront the striking resemblance, vocally and physically, of its lead singer who always dreamed of embodying Aznavour. 

“In a sense I’ve been preparing for this role throughout my lifetime,” said Maurice Soudjian, who spent a considerable amount of time living, studying and working in Paris, France. “It was a natural progression for me since I’ve been passionately listening to and studying Aznavour’s captivating music for decades.” 

In response to his performance, attendee Mark Olivas said,“Maurice blew my mind.” 

“Bernard Bayer nailed the role of the younger Aznavour, especially with his skills on the piano, and Mariette brought another talented dimension to the show as Piaf,” said Olivas. “The show was genius.” 

The concept of the bio-musical was based on primary and secondary sources, including Aznavour’s two autobiographies, to depict the artist accurately as the three dimensional figure that he was and the rich life he led. Each vignette tied into the performance of one of his hit songs, from La Boheme to Les Deux Guitares to La Mamma. Highlighting the generational enthusiasm for Aznavour, singer-actress Mariette Soudjian performed Franco-English versions of Emmenez-Moi and Hier Encore.

“As a diasporan musician, performing in this show was a historical learning experience as well as one of personal growth,” said bassist Levon Ghanimian. “Aznavour’s music was not only a portrayal of love, but also a story of healing for a people who have suffered great loss.”

The son of Armenian Genocide survivors, Aznavour’s climb to becoming a chart-topping singer across the globe was one filled with determination, grit and ambition. Born into an artistic family, Aznavour embraced his passion for music and led an acclaimed career – without ever forgetting his roots. 

“I now see Aznavour in a different light because of this up close and personal performance of amazingly talented artists,” said Gladys Saroyan. “I’m so happy that Taleen is enriching our community through these live theatrical plays and I just wish Aznavour saw the performance.”

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Sign Up for Our Newsletters

Get notified of the latest updates from MassisPost.

You May Also Like

Armenia and Iran to Continue Advancing Bilateral and Multilateral Cooperation

YEREVAN — Iranian Foreign Minister Mohammad Javad Zarif visited Yerevan on Wednesday,…

ICRC Representatives Visit Azerbaijani Saboteurs Imprisoned in Karabakh

STEPANAKERT — Representatives of the International Committee of the Red Cross visited…

Demonstrations Turn Violet Outside Russian Consulate In Gyumri

14 people hospitalized, 13 detained GYUMRI (RFE/RL) — Hundreds of angry people…

Journey to the Other Side of the Barbed Wires the Lebanese Revolution ’19

BY HAGOP A. KEUCHKARIAN On October 17, we were surprised to receive…